Crawling 101

Preparing for the festival can sometimes feel overwhelming. We’ve put together this guide as a resource to help you, as a participating artists, get the most out of your Crawl experience. You don’t need a big budget or years of experience to have a great Crawl. We hope this guide helps you to plan how to focus your time and resources, and make your Crawl the best it can be!

ARTIST PROFILE GUIDE

Every registered Crawl artist receives an online artist profile on our website. It is each artist’s responsibility to fill out their artist profile and make sure their information is correct and up-to-date. Our website receives 80,000+ unique visitors leading up to the festival—from Crawlers planning their weekend and media looking for artists to feature—so it is to your benefit to take the time to complete your profile.

To update your artist profile: Login to your Culture Crawl account (Artist Login button is always available in the top right of the website)

Artist Info for Program

Our program will use the Name, Building and Medium(s) you list in your online profile. Double check these fields for accuracy and spelling! If information is missing, you will not be listed in the program.

Your Listing Name

Make sure the name you want to be listed under is correct. The default listing is by artist’s Last Name, First Name. If you have an alternate name you would like to be listed under, fill out the “Alternate Display Name” box in your Artist Profile. **Note: Fill out the Alternate Display Name box ONLY if your studio name is different than your personal name. If you fill out the Alternate Display Name box the default artist listing will be overridden.

Building

Make sure you have selected your correct building from the building drop-down menu. If you have not selected a building you will not be listed in our artist listings. If your building is not listed please contact us at ac@eastsideartssociety.ca or 778-379-4545  to have it added. If applicable, make sure to list your suite number (or directions, such as “alley”) in the Suite box.

Images: Show Your Work!

We cannot stress this enough how important it is to upload good quality, well lit photos of your artwork to your profile page. Viewers will choose to visit your studio based on what they see.

Cover Image. This is the image that will appear as your thumbnail in the artist search and listings. Please use an image of your artwork.
Artist Photo. Photo of you, the artist. Alternately, your logo.
Portfolio Images. You can upload up to 10 portfolio images of your artwork. You can enter titles, descriptions, and order the images. Within artist profiles Portfolio Images can be expanded to view the full artwork size with artwork details.

Bio

The first sentence of your bio will appear as a preview in the artist search listings. Please tailor your bio accordingly. We recommend beginning your bio with strong keywords that include your medium/s. Example: “Sally Smith is a photo-based artist and abstract painter ….”

Links

There is space on your profile to include links to your personal website and social media pages if applicable. Be sure to fill these in so that interested viewers can really get to know you and your work.

Check out how it looks

After your profile is complete, check it by searching your name or studio on the Explore Artists page, and viewing your page. If something doesn’t meet your critical eye, you can still go back and edit whatever is needed (changes made after registration deadline will not be reflected in the festival program).

PLAN A TIMELINE

PLAN TO BUILD YOUR FOLLOWING

The mandate of the Eastside Arts Society (EAS) is to transform community through visual arts—to inspire, educate and engage the community through the arts, advocate for the interests of visual artists in the community, and foster excellence through programs and opportunities for visual artists.

The Culture Crawl festival event is one vehicle that the EAS undertakes to achieve the above mission. Although art sales are not part of the EAS mandate, many Crawl artists choose to sell work during the festival. The EAS does not take any commission on work sold during the event. Selling your work is fully your option and responsibility.

These are some general tips on engaging with your audience and building community.

Interacting with visitors

Treat everyone with respect—you never know who will be your next collector.
Be yourself, be comfortable and enjoy the experience.

Brand yourself—let people know who you are

Provide business cards, flyers, postcards with contact and social media info
Update your website to showcase your work Interact through and update your social media pages (Instagram, Facebook, Twitter, etc)

Don’t make them ask

Give insight about yourself and what you do with a short posted bio or handouts
Indicate if your work is for sale or not with signs, tags or a price sheet
Share basic info about each piece—title, medium, size and price
Let people know what forms of payment you accept—cash, credit cards, debit, trades, etc.
Inform visitors if you teach classes, do commissions, or work with corporate giving committees, etc.

Have answers ready for these common questions

Do you offer payment plans or will you consider a trade?
Can you put this on hold for me?
Do you deliver/ship?
Can I take it now?
Do you have something with blues or a different colour option?
Is it available in other sizes?
Do you have this in a print?
Will you frame it for me? How much is it unframed?
Do you do commissions? If so How much?

Icebreakers: Plan ways to connect and interact with visitors

Share your process. Be ready to speak briefly about your materials and process.
Offer a phrase about the inspiration for a piece as a ‘way in’ for visitors to engage more deeply.
Invite people to upcoming shows or exhibits that you are involved in.
Demonstrate your process live at scheduled times or ad hoc.

Build Your Following

Build your contact list. Make it easy for people to keep up-to-date on shows, new work, etc. Collect both email and street addresses.
Let people start small. Art cards, art notebooks, prints, etc are ways for people to start collecting your art.
Engage visitors with a contest (“name a painting”, “win a print”). This is also a great way to build your contact list.
Deepen relationships with existing clients by calling or sending a personalized invitation. Make notes about your regular clients—their family, business, interests, etc.
Host a private preview event for your existing and potential collectors. Ask them to bring a friend.

PREPARING YOUR STUDIO

Regardless of your type of studio—private or shared—think about creating an inviting, memorable, and safe space. Think about what your visitors will experience with all their senses: what do they see, hear, smell when moving through your studio? How do you want them to feel in your space? What would you like them to remember about their visit to your studio? Give yourself enough time for set-up and be ready with your plan and list of tasks. During and after the event, take notes about what you might do differently next time. It is always a learning, evolving process, just like the creation of the work itself! Here are some things to consider. If you are new to the event, we encourage you to reach out to artists who have participated before. They are bound to have useful tips for you as well.

Approaching your studio

Be inviting. Many people are coming to areas they are not familiar with, and they maybe a bit apprehensive or uncertain.

Clearly indicate your studio with a Crawl signboard or banner.
Light the way: make sure the approach is well-lit, paying particular attention to steps or low-hanging obstructions. Use LED tube lighting or Christmas lights for playful but effective lighting.
Remove or pad any sharp or projecting overhangs, thinking of both very tall and very small people who may be visiting.
Ensure safe footing. Put down grit or a non-slip surface if the way is potentially slippery in rain or icy conditions.
Remove or secure any loose rugs, boards etc.
Post signage at every turn along the approach so people have a ‘crumb trail’ to follow with confidence to your door. A ‘Welcome’ sign on your door, particularily if you are in a private home, will make people feel comfortable entering even if you are busy with other visitors and can’t come to the door.
Any other tricky spots? Tape door/gate latches open with tape. Post friendly notes with tips “pull this cord…” Consider having volunteers in the lobby or entry to welcome and direct visitors.

Inside your studio

Make room. Consider removing or relocating materials stacked along the walls to give people room to maneuver.
Make your visitors feel welcome. Consider wearing a name tag so visitors know you are the artist. If you have multiple artists in the studio, it lets them know who to approach about a particular work. Consider hanging some artwork low for children to enjoy, or even having something they can touch or interact with. Post a sign so parents and kids know it’s okay to touch 🙂
Remove safety hazards. Tape or remove cords or loose rugs. Remove or secure any piled stacks of materials that could topple if bumped. Remove any sharp nails/hooks that could catch someone’s body or clothing. Do a walkthrough as if you were visiting your studio for the first time. Do it imagining you are very tall, and again as if you were very small.
Keep private areas off limits. Clearly mark any areas you want to keep private, and consider using a latch or other simple device to dissuade the curious. People are very curious about how artists live and will open drawers, pick up ornaments, etc. without asking. Cover storage areas or private areas with sheets, folding screens, or similar devices. Have a safe secure space to store your wallet/purse.
Do you have a loo? If you have washroom facilities that you plan to allow visitors to use, consider removing any articles that are not essential. If you don’t want visitors to use the washroom facilities, post a ‘private’ sign and keep the door closed.
Artwork: consider placing small pieces of artwork deep within your studio rather than near the door. Most people are honest, but occassionally theft does occur. If you are in a private home or isolated studio, consider having a friend keep you company and have a cell phone with you.
If you must have your pet in the studio with you, please keep them well under control. Not everyone feels comfortable around animals, especially ones that jump up or want to give ‘kisses’.

Insurance

The EAS does not provide insurance for artists, and recommends that each artist have liability insurance for their studio. If you have insurance on your studio, we advise you to contact your insurer or insurance broker to let them know about the event and ensure you have coverage.

Clean

Clean all surfaces.
Put materials and tools away. (Exception: You might have a work in progress or create a demo with work in different stages and tools/materials involved. People love to know the how of it all. A purposeful demo on a designated surface with signage is a great way to engage visitors)
Paint your studio walls if needed. Create a fresh backdrop for your work.
Sweep/mop your floors
Air out/ventilate your space. You want it to feel fresh in every way.

Light

Provide the best lighting you can for your works. Halogen or LED track lighting is easy to install and looks professional. Well placed clamp lights can work as spotlights too.
Pay attention to the temperature of your bulbs (daylight, soft, warm) since this can change the look of your work.
Make sure you do not stress your circuits and blow a fuse.
Keep the wires tidy and out of the way.

Label and Price

Label each piece with title, medium, dimensions, and price.
Posting prices clearly helps put a client at ease. No one wants to guess!
Put your name on every label to help viewers remember you with your work.
If the work isn’t for sale, say so. Label work in progress or not for sale. Make it clear for visitors to understand what you are showing and why.
Consider posting statements near applicable pieces or series. These can get conversation flowing and encourage the viewer to inquire about other pieces.

Welcome Table

Guestbook with prompts for the information you need for your mailing list.
Artist bio/artist statement/resume.
Business cards and/or postcards for people to take.

Check-out / Business Zone

Have a space set up with all you need to process a sale.

Refreshments

Keep it very simple and clean—choose beverages and snacks that don’t make a mess and could potentially make your space unsightly or damage work.
Consider whether you will need ice, napkins, cups, mugs, serving platters or bowls, serving knives for cheese, spoons, paper towels, and a trash/recycling can.
Will you use disposable or reusable glasses?
Think it through and avoid a last minute run to the store.

Continuity

Look at your space with fresh eyes, or ask a friend to help check if you missed anything, or if something seems out of place. How does your space look and feel? There are so many details to manage and sometimes it helps to get an outside perspective.

Don’t forget YOU

Be sure to get yourself ready as well— what will you wear? How will it look in your space and in front of your work? Be both comfortable and sharp.
Be well rested and well hydrated leading up to the big weekend.
Plan how/what/when you will eat your meals.
Enlist help from friends and family to ease the load of carrying artwork, installing, and even talking to visitors if you need to take a break.
You need to be functioning at your best so you can get the most out of all your interactions with your guests. Remember to have fun!

PROMOTION

The EAS provides tremendous support for festival promotion: the website, the printed guide, posters, social media, mailing list, events, and festival press. But getting people to your studio will depend on your efforts. Promotion does not have to be costly, but a little time and effort will pay off! Below are some Culture Crawl promo materials to use.

Save the Date Postcards

Postcards can be picked up at the Culture Crawl office starting in the early summer through to the Crawl festival (artists will be emailed when they are ready for pickup). These are great promo cards to have on hand during the summer for:

Exhibition openings
Art/craft fairs
Your studio to hand out to friends and clients
Distributing around town to local cafes, restaurants, community centers, etc.
Old fashioned mailing

Program Guide and Posters

Programs are a great thing to have on hand in your studio during the festival weekend and also to distribute throughout the city in the week leading up to the Crawl to promote yourself and the event. Examples of easy distribution locations for programs and posters: apartment lobbies, bulletin boards, lunchrooms, coffee shops, local restaurants, community centres, theatres, and any other place where people gather. *Please note, programs will be available in digital form only for 2022. Printed maps will be available

Online Artist Profile

Review the Artist Profile Guide section above and fill out/update your Culture Crawl online artist profile. Make sure all your info is correct as your listing in the printed program guide is pulled directly from your online artist profile. Make sure to include images of your work! Our website receives a huge amount of traffic leading up to the festival so it is to your benefit to fully complete your profile.

Media Relations Checklist

Check for the Media Relations Checklist deadline (usually in September) and be sure to submit it to our publicity team for consideration!

Branding (Creating a recognizable look & feel)

Pick one or two images and be consistent using them in all marketing materials for the show: the guide, in your e-mails, your postcards, on Facebook, etc.
Pick a font or two and stick to them. If you don’t have a logo, be consistent with the presentation of your name and studio name.
Make it easy for people to link your name to your work.

Create Your Own Promo Materials

Design materials (such as postcards) to hand out leading up to the Crawl and to visitors during the festival weekend.
Make materials simple, easy to read with one image on the card, ideally the one you are using for all your Culture Crawl promotion.
Include your name, link to your website, and phone number.
Include the Culture Crawl dates and times.
Include the address of your studio!
Have them printed well in advance.

Use Your Social Media Network

Promote your participation in the Culture Crawl on your personal and business Facebook, Instagram, and other social media accounts. Be sure to read the Social Media Guide section below for tips and suggestions.

Email List

Direct communication is still the most reliable means of reaching those who have connected with your work; focus on building your email list whenever possible. In addition to your larger mailing list, consider personal emails to a subset or core group. Consider setting aside the time to write personal email invitations, especially to those that have collected your work in the past.

Using a service such as MailChimp allows you to send your message to a large number of people without being constrained by the limits of your personal email. It also allows you to track the success of your mailing, record bounces, and they help keep your mailings out of the spam box.
If using your own email, be sure to make recipients invisible to each other by putting them in the “bcc” field, not the “cc” or the “to” field. Paying attention to email privacy and best practices will help retain readers.
Use a clear subject header with dates.
Keep emails concise.
Include dates and times
Include your studio address and a link to a map showing the location/directions (and any specific parking/transportation information)
Include a link to Culture Crawl website. Including Culture Crawl graphics will help people associate your event with the bigger program.
Include your name, link to your website, phone number, and other important contact information, and other social media links.
Make sure to spell check.

SOCIAL MEDIA GUIDE

Special thank you to Brian and Pamela at Murray Paterson Marketing Group for helping us develop this social media guide

Facebook

If you have an established Facebook Business/Fan Page, make use of both this and your personal Profile page to spread the word about your participation in the Eastside Culture Crawl. If you currently don’t have a Business page, you will be better off focusing on use of your Profile page rather than starting a new Business page.

Instagram

Instagram is all about the image, so it’s a perfect social media platform for visual artists. While the focus is on the image, you can still include basic text. It is best not to repeat hashtags over and over with no variation as this can potentially lead to what some have called the Instagram Shadowban. What this means is while we encourage artists to make regular use of core hashtags, you should keep other hashtags fresh and associated with the image you’re sharing. Instagram considers constant and repeated repetition of the exact same set of hashtags as “spammy”. If you are subject to a Shadowban you will see limited or no reach of your posts outside of your core followers.

Keep your pages updated

In general, plan to make use of the social media platforms where you already have an established presence. Keep your content fresh and connected to your preparation for the Culture Crawl. Tell your story!

In the lead up to the Culture Crawl and across all social platforms, share the story of your preparation, your process, and your work. Always remember that while the Culture Crawl is a fixed point in time, it is a great opportunity for connecting with new fans/collectors and can yield benefits for months and years to come.

Official event hashtag

When sharing an image or update on Instagram or Twitter that pertains to the Crawl, please use the hashtag: #eastsideculturecrawl

Our social media team will be monitoring anytime this tag is used, and will share the post as time and space allow.

Official accounts

When posting to Instagram or Twitter, tag us within the update by including: @CultureCrawl

When Posting to Facebook, begin by typing the ‘@’ symbol, and proceeding to type out ‘Eastside Culture Crawl.’ You will shortly see a drop-down option for our page that— when clicked—will add a link within your post.

Tagging the account in this way will create notifications, so that the Crawl can share your posts accordingly.

Posting to Culture Crawl Channels

The Culture Crawl does not allow posting from third parties on to its Facebook Page. However, we do allow such posts to be shared on the official Facebook Event Page for each year. If you wish to show or share works with potential visitors, we encourage you to post there.

PLEASE NOTE: Due to the number of participants, we do request that you only share one post in lead-up to the event. Additionally, you can support the Eastside Culture Crawl as a whole by inviting your personal contacts to RSVP for the Facebook event.

Creating your own event on Facebook

We encourage artists to make full use of the official Facebook Events that are created by the Culture Crawl.

If you wish to create a Facebook Event for your studio, here are a few things to remember.

If you are showing out of a solo studio and not a building with multiple artists, consider creating a dedicated Facebook Event and use the event page for communications around your studio. If however, you are part of a building/studio with multiple artists, you may be better served to coordinate use of a single event page for the building with other artists.
Naming conventions: Please make sure to list your personal Artist/Studio Name first. Example: Studio Name | Eastside Culture Crawl
Imagery: Your personal logo/artwork/images OR current year’s Eastside Culture Crawl graphics (email admin@eastsideartssociety.ca or download from our Facebook Page).
Privacy settings allow you to specify whether your event is by invitation or public.
You can find full instructions for how to set up a Facebook Event here.

#CrawlCountdown

In lead-up to the Crawl, we know that many of you will be doing preparations around your studios.

Share a photo of your studio in mid-preparation on Instagram and include the hashtag #CrawlCountdown. We will select a few studio photos to re-post to our network and link to your profile.

Content suggestions

If you are looking for ideas on what types of content to post in lead-up to the Crawl or over the course of the weekend, consider some of the following:

New pieces and work-in-progress

Are you creating something special just for the Crawl—or in the midst of crafting 100 versions of a favourite piece? Consider taking a photo mid-process and sharing it in preparation for the Crawl.

#TBT

Do you have photos still on your phone from last year? Consider sharing them on a Thursday with the hashtag #TBT (Throwback Thursday).

Your space

Does your studio space/building tell a story? Share a photo with the hashtag #EastsideSpaces. Consider using a caption encouraging Crawlers to come by and see it for themselves.

Engage your fans

Encourage your best supporters and close friends to share memories of visiting you at the Crawl to build excitement for the event and your participation. When posting, include captions with direct calls to action to encourage your fans to stop by during the Crawl weekend.

Visitors to your space

Don’t forget to take and share shots of visitors stopping by your studio during the Crawl itself both in social media newsfeeds and Instagram/Facebook stories.

SELLING YOUR ARTWORK

During the Culture Crawl festival many artists sell work. While making sales during the Culture Crawl event is exciting—and many artists do sell their work—art sales are not part of the mandate of the EAS, and the EAS does not take any commission on work sold during the event. Selling your work is fully your option and responsibility.

A lot of us feel uncomfortable with the idea of “selling”, but it doesn’t have to be unnatural. You are helping to forge a connection between a collector and a piece of work, and building a positive relationship that may continue for years. Here are tips from artists who are experienced in selling their own work.

Be welcoming

Greet everyone who comes in. Allow them time and space to view the artwork. Stand, don’t sit, but respect their personal space. Be sincere. Do not create a barrier around you of private space.

Tell them a story—listen to theirs

One of the great benefits to collectors about open studios is that they meet the artists in person, and have the chance to understand what’s behind the work. Tell them about your motivation to do what you do, in the way you do it.

If you listen well, you will hear what interests them and can speak to that. Are they fascinated by the materials you use? Your subject? Your sense of humor? Where is your common ground.

Address them by their names. Look them in the eye. Meet all customers’ friends; they may influence the buying decision. Keep an eye on their body language and learn to read it, you’ll notice the body language is very different if someone is arrested by a particular artwork, versus someone being polite. Keep an ear open for Ownership Language— “We love this piece!”, “This piece would look great in our living room!”, “These colors would work great for us!”—When you are at this point, it is a very good thing for both of you.

Focus on the right side of the brain

Buying is an emotional issue which is nudged along by decision making such as, but not limited to, price, size, color, content, delivery, installation, husband/wife/partner/friends’ opinions, future remodeling, future decorating, special events, payment methods, home visits with art pieces etc. If someone asks a left brain question—something factual about size, durability, how to hang—be clear, brief, and precise. Then move back to the emotional connection to the work and work with them to clear any hurdles/decisions to help them buy.

A note about your friends & family

Make sure they do not hog your time gossiping and catching up and respect that you are at work. But also note that they will be the first people exposed to your work and often the first to buy it. If a customer walks into your space and they feel like they are interrupting a private conversation, they will probably walk right out.

Be mentally prepared to deal with bargainers and offers

Some visitors will assume that you, as the artist, are willing to bargain or that they are supposed to “make you an offer”. That can seem uncomfortable and offensive, but if you are prepared for it, you are less likely to feel thrown. Remember, a person who is bargaining has expressed interest in a purchase. Sometimes they just need to be told gently that you have established prices and they will go ahead and pay your price. Start with a positive assumption before getting huffy! Plan ahead for any price breaks that you are willing to give. If you know your limits, it’s easy to stick to them. If someone cannot pay right now, are you willing to offer a payment plan (ex: 6 cheques to be deposited over 6 months)? If it’s only slightly outside their budget, would you give 5% off to close the deal today? If they are interested in more than one piece, can you discount the second? Different artists have very different feelings about this. You should think through what your flexibility is so that you can be clear with your customer, and never come away from a sale feeling like you’ve agreed to too low a price.

Do you ship?

Calculate the cost (don’t forget packaging) for your most popular pieces, so that you will have the answer ready if someone wants you to ship, at least domestically. Try to keep your shipping charges as low as possible. If you can throw in free shipping, that can often help close a sale, but don’t promise shipping if you are not prepared to, or you don’t know the costs!

Do you deliver?

Are you willing and able to deliver a piece? Will you charge for that? With very large pieces, delivery and installation is often expected, and it is a good time for you to build more rapport with your collector. Also, the artist will be more likely to find the perfect spot for a piece, increasing the likelihood that the client will love it.

Test drive?

Are you willing to send a piece home with someone “on approval”? Under what terms? Sometimes a client feels like they need to see a piece in their space, but you want to make sure that it isn’t out of view to other potential buyers during your weekend.

Do you take commissions?

Often visitors love an artist’s style, but want something made specially for them. This can be fruitful or frustrating, depending on the chemistry of the artists and client. Think about what your criteria are for taking commission before the Culture Crawl.

Your way

Every artist will have different variations on a sales process, but whatever yours is, play it through your mind, or even with a friend, until you find the system that works for you. It’s better to find the gaps ahead of time than work them out on the fly!

Processing the sale

They love it, they want it, they’re ready to buy it. Are you ready to sell it? Step through every move from when the customer says “Yes!” to the moment they have your art in their home to make sure all of the little bits are in place. Remember: your new clients are most likely your future clients. Giving them a great experience with their purchase, no matter how small, is a great investment.

Writing it up

A custom two-part form allows you to create a receipt with your contact information and the information you want to collect from buyers. You can have one printed at most office print locations in small quantities. A standard two-part receipt book is fine, too

What to capture on a reciept

Buyer name
E-mail (If you only get one point of contact, get this!)
Street address (At least city)
Phone (For follow up or unconfirmed credit card charge)
What they bought (be specific)
Price
Discount (if any)
Tax
Shipping (if any)
Total

After giving the customer their copy, scribble any memorable moments from the transaction on your copy.

The mechanics

Do you have a writing and packaging surface clear and enough GOOD pens handy? The customer shouldn’t be awkward when they are filling something out or writing a cheque. Clipboards can be useful.
Write the name of the piece(s) and the edition number or other identifying feature on the receipt. It can be useful for you to know the exact frame that something is in in case you have follow up sales to the same client.
If you are going to give a discount, write the UNDISCOUNTED price on the receipt, followed by the amount of the discount, followed by the new subtotal. Let people know what you are giving them.
Write the payment method on the receipt, including the cheque number, if applicable.
Have the customer fill out as much personal information as they are willing to give, but definitely full name, e-mail, and the city where they live.
For larger purchases, try to get a street address so that you can send that customer special mailings or a thank you note, or other lovely treat.
Check for legibility before they run off! Particularly for emails! Keep the original and give them the copy.

If someone buys anything, have them fill out a receipt. It can be a $10 cash sale but they could grow into an important collector. Remember: with electronic card readers, you are not retaining the customer’s email even if they enter it. Don’t let any customer walk away without you knowing how to reach them again.

How would they like to pay?

Are you set up to take credit cards? Know which ones and TEST YOUR PROCESS before your first customer. There is nothing that makes a customer antsy like watching you swipe their credit card a hundred times, or hear you say “I’m not sure that went through…” or otherwise feel insecure about your money handling. Be sure to check the customer’s credit card for signature, or ask for ID, and be sure to give it back!
Do you have needed supplies, power, and internet service for your credit card service? If you are using your cell phone, make sure to be equipped to recharge during the day! Do you take cheques? Decide now what your criteria will be for accepting personal cheques. Write the cheque # on the receipt.
Cash? Do you have change in the right denominations? You can round in the customer’s favor it you can’t make exact change, but don’t get stuck being off by more than a couple of dollars. Don’t deflate the excitement of the moment by scrounging for loose coins! Where are you keeping the cash? Keeping cash somewhere other than your personal wallet looks more businesslike, but keep it safe and secure. Do you know where the nearest ATM is?
Some artists are comfortable working out payment plans, and some are not. You should decide what your policy is so that you are comfortable with it.

Bottom line: Make it as easy and painless as possible for your customer to pay. Money should not feel like the center of the transaction, your art should.

Getting it home

Do you have a bag, a box, or other packaging material to make sure your art gets to its new home safely? If there’s rain in the forecast, have plastic bags. Recycling is fabulous, but be sure your packaging material is clean and appropriately sized. Thoughtful packaging shows that you consider the purchase to be a thing of value. They should get home feeling like they have a treasure.
Print labels with your logo, name, website, and contact information and put it on the bags or packing materials.
What else is going in the bag? Even a tiny treat goes a long way in cementing your new relationship. If you give customers a greeting card when they buy a print, they may send it to someone and introduce you to another potential collector. Be sure to include a business card or two.

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